[ when the feed flicks on, it’s to the simple image of a sharply dressed man adjusting his glasses upon the bridge of his nose. or rather, it’s the lens glare that strikes the view first, a flash of blue that obscures the friendly(?) way he eyes the viewer, the practiced way he smiles. ]My apologies.
[ the tone, too, is terribly kept, composed and precise. ] If I may, I kindly request that you lend me your brief attention for but a few minutes of your time.
First, allow me to introduce myself: I am Munakata Reishi. You will have to forgive me, I’m afraid, as my recent arrival will mean my lines of inquiry will run along the road of repetition.
[ it’s formality and ease in idle, clear-cut motions; he laces his fingers together and rests them neatly on the table set before him. his smile hasn’t moved. ]There is, I understand, a . . . certain freedom to living in the time before we are called to action. Training is --
was mandatory, was it not? I don't suppose all of you have been keeping up with your weekly regimen during this temporary state of confusion.
But I digress.
Let me cut straight to the chase, then.
Certain concerns come to mind. Minimal organization though we may have, I admit I’m rather lost.
[ there’s a breath of laughter, possibly meant to curb the tension… not to create it. ] With so many people in a state of little to no enforcement, is it safe there on Earth, I wonder?
. . . And what kind of activities, pray tell, have you found to be the most beneficial use of your undoubtedly limitless spare time?
( PRIVATE; TO SARUHIKO FUSHIMI: )